I've bumped into a number of people who have wanted me to draw them a thing or two.
I only bring this up because recently, a couple of relatives have really gotten on my case. After drawing the above doodle, and committing the mistake of placing it on my myspace page, the ones near and dear to me have taken it upon themselves to hassle the crap out of me.
"oh my garsh!!! u drew this??? this is super cute...aww do one for me yea??? hahah haven't seen u in like forever y aka yo piediendo favores...hahah well i mean if u wanna draw something up for me i would totally appreciate it(wink, wink) hahah j/k...but this is awesome man...wow so much talent in the family...i'm sooo proud..haha"
Yeah, no lie, that's someone related to me. She's the one that's been most adamant about the whole thing. She's coming down from her area in California in two weeks, and while I've been lucky enough to dodge her inquests these last couple of weeks, I don't know how I'll manage once she's in front of me. I don't look forward to this event only because something in my past keeps me from making her happy and just drawing some damn girl reading a book for her or something.
I used to draw for people, gladly. At first I thought it was comical... I'd be a little flattered, but I'd always oblige.
The whole... "AnoMALIE, can you draw me a *some animal, a girl(cause i can't draw boys)* I just love how you draw!" thing would make me blush... even feel important at times. But then fifth grade came around and changed it all.
1995-96: I wasn't popular, no those days were left back in first and second grade when I was still surrounded by little immigrant children. I was still considered an ESL (English second language) student even though I read at an 8th grade level (something I was proud of because everyone else read at a sixth grade level, max. Now I think: well, shit, it's not like I was reading at a twelfth-grade level, get off your high horse, AnoMALIE). I tried my best to fit in with the English speaking kids, but I found myself only bonding with the 2 other Latina-girls in class and one Filipina. I'd try buying the love from others by giving them some of my doodles from class.
There was one really popular girl, Dolly (why the hell did I try impressing someone with that name?), who had everyone--guys and girls-- doing back flips for her. I remember she approached me one day as I was doodling in my English journal (and I wondered why I couldn't get out of the ESL category) during lunch time.
"Hey, you draw that?"
She pointed at the girl I had drawn on the margin of my paper.
"This? Umm... yeah..." (I blushed... a cool girl talking to me? The math nerd? The ESL kid?)
"Can you draw me one?"
"OK..."
She smiled, and walked away with her posse.
I drew my typical girl: a gangster! (Well, I'd draw that or Jessica Rabbit... or just Jessica Rabbit in baggy pants... defeated the purpose of Jessica Rabbit and her long, sensuous legs... but her boobs were still there)
Yeah... I mean, what else could I draw besides hookers and gangsters, being that I lived in the hood (Naked City: what, what?!)?
She wore a green flanneled shirt, black baggy pants, black Nike Cortez's, wavy hair, and I may have given her a backwards hat. I remember I'd give the dolls really tiny waists, big boobs, big eyes, big lips, and big heads (the style really hasn't changed, as you can tell).
I was proud, cause I tried making her the prettiest of all (C'mon now, we're talking Dolly here), and I thought I had succeeded.
The next day at school, I remember placing the drawing on Dolly's desk with a huge smile on my face.
She looked at it, her eyes lit up, and she thanked me.
Now, I typically live for that kind of stuff. I love making others happy, no matter what. So I felt like my job was done and I continued to draw for people.
Dolly was nice to me for the next couple of days, and she'd always ask me about drawing. I'd sort of ignore my real friends to spend time in her circle explaining why my dolls had small midsections and larger... other areas (I never told her it was because my friend in kindergarten had a stripper mom and it gave me ideas). Everything was cool the first three days, but the problem arose around the third day when the people who would typically commission me (with beef-jerky--not to be confused with Slim-Jims-- nonetheless. I was pretty cheap... actually, the trick still works today) to draw for them stopped coming around.
It took about another week before one of my best friends, Ana, interrupted my "reading time" moment by slamming a drawing on the desk in front of me.
"Hey, look what little Miss Dolly's doing to you."
I looked at the drawing and it looked like something I had drawn.
"What do you mean... it's my..."
I took a closer look.
"...oh. Is this my drawing?"
The doll was similar... but upon closer inspection, she had smaller features... and really fucked up eyes (I take my time on eyelashes, this bitch drew sticks like those drawn to indicate rays of sun). I can only imagine how Louis Vuitton feels when he sees someone walking around with one of those imitation bags. I must say, I drew that eye almost exactly how Dolly drew it... constricted pupil, McDonald's arch brow... stick eyelashes... it almost looked like a Paramecium... or something else that's capable of living under harsh environmental conditions.
But anyway, on with my story.
I was enraged when I saw the drawing and asked my friend where she got a hold of the drawing.
She told me Dolly was selling them to students behind one of the portables during lunch time (like the true crack-dealing hoe she would soon be destined to become).
Selling them? As in... getting money? Not just that tasty one dollar and fifty-cent beef-jerky?
Apparently so... and there was a line.
I remember looking over at Dolly, while holding the drawing, and her looking up only to shrug her shoulders.
When lunch time came, I went by the portables and upon seeing the transactions, I didn't know whether to vomit or just let the ghetto girl in me jump at Dolly's nappy, curly hair.
Rather than jump Dolly (I was 5'2", she was well below 4'8"), I stuck around for a while, wanting to hear what Dolly would tell these girls.
I saw one of my friends was in line (the fucking nerve), and listened in.
"Isn't this like *AnoMALIE's* drawings?"
"No. She draws big stupid heads. I fix her drawings. Now do you want one or not?"
I remember her emphasizing "fix" and then wanting to punch her.
Big stupid heads? Dude, how else am I going to get the intricate details of her iris down?
I eventually got caught spying on the (not so) illicit deals, and came face-to-face with Dolly.
I asked her what the deal was, and she admitted it, although she was quite rude about it (who tells another 10 year old their drawings suck and that they can do a better job... when clearly, a baby Yorkshire Terrier has more talent).
I took a drawing from her hand (she had like, ten in her tiny, thieving hands) and pointed:
"It's supposed to be a flannel shirt."
"Flannel's ugly."
"Well... then... she's not a real gangster."
With that, I left her in her little secluded area, and went back to my classroom. I can only imagine how red my face must have been.
I tell myself I didn't punch her out because she had two of her friends, like bouncers, at her side.
Twelve years later, I've never drawn for anyone again. I still doodle while in class, but... I no longer accept any sort of commission. My drawings are for me, and maybe a teacher's project... aside from that, no one else.
Now if only I could re-tell that story to my family without getting worked up and smashing something... or you know... sounding like a total cry-baby.
3 comments:
Impressive drawing!
Thanks, but could it have gotten me extra credit in your lab? j/k
No, but I would have been impressed back then too.
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